tag:blogger.com,1999:blog-81336125777609159292024-03-05T05:12:55.216-08:00A DOG IS A DOG IS A DOGJosé Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.comBlogger22125tag:blogger.com,1999:blog-8133612577760915929.post-2075652246509335802017-12-26T08:54:00.002-08:002017-12-26T08:54:39.388-08:00Don DeLillo, "Zero K"<i>Joga um jogo, faz uma lista, desenha um cão, conta uma história, dá um passo.</i><br />
<i>Certos dias são melhores do que outros.</i>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-53118663138191519612013-08-26T17:15:00.002-07:002013-08-26T17:16:35.933-07:00Robert Ellis<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRaisZQRN1vS8E6PYuazEVOzi9FgLA5Na0WaYah7naU-QTW9dFX34rgomZpbiehkDApRwEWrJJVJhw1gefQZ_9oCwVS4EFIATKKYOYQPOm7zpti4xQnKWw3iGkDLfmtGk_5kCuYrciHaPn/s1600/Robert+Ellis,+New+Line,+Buddy+June+2010.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRaisZQRN1vS8E6PYuazEVOzi9FgLA5Na0WaYah7naU-QTW9dFX34rgomZpbiehkDApRwEWrJJVJhw1gefQZ_9oCwVS4EFIATKKYOYQPOm7zpti4xQnKWw3iGkDLfmtGk_5kCuYrciHaPn/s1600/Robert+Ellis,+New+Line,+Buddy+June+2010.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">from New Line, "Buddy", June 2010</td></tr>
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<span style="font-family: Times, Times New Roman, serif;"><a href="http://www.robertellis.eu/" target="_blank">Robert Ellis</a>, <i>New Line</i>:</span> </blockquote>
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This body of work documents the space inhabited by a small alternative community in the West of Ireland. By exploring the private world created by the people that live here, this work adopts a silent and contemplative tone, and seeks to engage with this space and its inhabitants, rather than expose it. Through carefully negotiated access and many discussions, the work becomes a catalyst of my experience and the time spent making the work. Carried out over the period of a year the images reveal the harsh depths of winter and the warm fertility of summer. The images tell the stories of the people that belong here, but only ever show a glimpse of their presence.</blockquote>
José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-82817156452929852392013-05-09T15:48:00.003-07:002013-05-09T15:48:47.673-07:00Pacifico Silano<a href="http://pacificosilano.com/" target="_blank">Pacifico Silano</a>, one of the six finalists for the 2013 Aperture Portfolio Prize, describes himself like this:<br />
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Pacifico Silano is a photographer who enjoys long walks on the beach, staring into sunsets and collecting newspaper clippings of Courtney Love.<br />
His work explores issues of identity, sexuality and forgotten histories.<br />
He currently lives and works in Brooklyn, New York with his dog Iggy Smalls.</blockquote>
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There is a beautiful selection of cellphone snap shots spanning the course of a year at his <a href="http://pacificosilano.com/index.php?/project/snap-shots/" target="_blank">site</a>, some of them picturing dogs:</div>
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José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-78864942780686071412013-05-06T10:54:00.004-07:002013-05-06T10:55:21.460-07:00William Basinski<br />
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<tr><td class="tr-caption" style="text-align: center;">Photo by James Elaine</td></tr>
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<b>Pitchfork:</b> You worked on The Life and Death of Marina Abramovic alongside Antony, who you've been friends with for decades. How would you describe that relationship?<br />
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<b>William Basinski:</b> I'm very loyal to my friends, and I continue to maintain relationships with most of them. Antony is very special to me. He's someone who never stops until he gets exactly what he wants. Sometimes it can drive you absolutely mad, but it's extraordinary. You know what's interesting? This year, I found out that Antony, Marina, and I are all Year of the Dog in the Chinese zodiac. We're all different dogs, though-- I'm an earth dog, Antony's a metal dog or something like that. Dogs run in packs.<br />
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<span style="font-size: x-small;">Taken from:</span><br />
<span style="font-size: x-small;"><a href="http://pitchfork.com/features/update/8983-william-basinski/" target="_blank">William Basinski</a></span><br />
<span style="font-size: x-small;"><a href="http://pitchfork.com/features/update/8983-william-basinski/" target="_blank">The experimental music lifer looks back on his 2002 masterpiece The Disintegration Loops and forward to his latest work, Nocturnes.</a></span><br />
<span style="font-size: x-small;"><a href="http://pitchfork.com/features/update/8983-william-basinski/" target="_blank">By Larry Fitzmaurice, November 6, 2012</a></span><br />
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José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com1tag:blogger.com,1999:blog-8133612577760915929.post-3025039692089504592013-04-19T13:16:00.000-07:002013-04-19T13:17:31.270-07:00Unknown dogs<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_3kjcjDOEERlFmCGSRGND0Bk4FfaUAkD47TpxRSY5gBW5Qt6-MXxqQ2BFqiUTxQ1pS66fBU9nSze3MzpQaYWpGNQL3c5jA432YqA_BUlWGgJfw82BenEV8qB8ufvP7OqTOjAVvffFrWgt/s1600/tumblr_mlck62xeiA1so1tgwo1_1280.png" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_3kjcjDOEERlFmCGSRGND0Bk4FfaUAkD47TpxRSY5gBW5Qt6-MXxqQ2BFqiUTxQ1pS66fBU9nSze3MzpQaYWpGNQL3c5jA432YqA_BUlWGgJfw82BenEV8qB8ufvP7OqTOjAVvffFrWgt/s320/tumblr_mlck62xeiA1so1tgwo1_1280.png" height="282" width="400" /></a>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-11837083246468924122013-04-18T09:28:00.000-07:002013-08-08T11:44:47.761-07:00Mark Steinmetz<a href="http://www.marksteinmetz.net/" target="_blank">Mark Steinmetz</a><br />
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<tr><td class="tr-caption" style="text-align: center;">From <i>Paris in my time</i> (2013)</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">From <i>Paris in my time</i> (2013)</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">From <i>Paris in my time</i> (2013)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja9pUJgSD-sxWwxzcc1-6TTxld9j1HhJEMto-WSc5OVkLbLLLvZE4miysyiWujp3SMBpkX1k6viYt3qzjszMk8mzwrvqTLFUUqOpNb0jgealltBHTgh90giMCZCj1OljcEdC5K5gJIx5qs/s1600/02-South+Central.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja9pUJgSD-sxWwxzcc1-6TTxld9j1HhJEMto-WSc5OVkLbLLLvZE4miysyiWujp3SMBpkX1k6viYt3qzjszMk8mzwrvqTLFUUqOpNb0jgealltBHTgh90giMCZCj1OljcEdC5K5gJIx5qs/s400/02-South+Central.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>South Central</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhes2ndl_hqz0gv7t_SWz8TBcag5-z02KiU1c1IiPujZuCfvvmMtYo5BVZRou-UFTeDBXaNRUdyw1ENwktSS-CWYYsJZBKGipCTPO-wdhC2_Lcj_P6AxISw5PitRFpuTyR9_lKg_XEVI1S4/s1600/04PAS_10_01_067-06-Pastoral+(2001-2011).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhes2ndl_hqz0gv7t_SWz8TBcag5-z02KiU1c1IiPujZuCfvvmMtYo5BVZRou-UFTeDBXaNRUdyw1ENwktSS-CWYYsJZBKGipCTPO-wdhC2_Lcj_P6AxISw5PitRFpuTyR9_lKg_XEVI1S4/s400/04PAS_10_01_067-06-Pastoral+(2001-2011).jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>Pastoral</i> (2001-2011)</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYDnZGsKNZ7ywrnYMPo5sClgCyDkhakTjv_-N8IZL9KyPMWFiDOmocbuARa3G4bZMPbT-SeZNUTLk_WE2YvcNfraSR3ICo53gZPWlm2qqt2gQz1u53XRMFACcV9TmAivtheev0dk6CEwpg/s1600/07-South+East.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYDnZGsKNZ7ywrnYMPo5sClgCyDkhakTjv_-N8IZL9KyPMWFiDOmocbuARa3G4bZMPbT-SeZNUTLk_WE2YvcNfraSR3ICo53gZPWlm2qqt2gQz1u53XRMFACcV9TmAivtheev0dk6CEwpg/s400/07-South+East.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>South East</i> (2008)</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCvLo7OmbkCyOguZ181qbXtQAXGLJCCv-U0KlICQiH7wdj1VHAFQkHFcSEQ1xk6PAFtggOkjTHDcm6Ib00-UOhBBbjVcd8AnvDr-0D8J4y5j3SSDjKZfFIGlRFWrHFOUMcPByttmJOarGJ/s1600/12-South+Central.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCvLo7OmbkCyOguZ181qbXtQAXGLJCCv-U0KlICQiH7wdj1VHAFQkHFcSEQ1xk6PAFtggOkjTHDcm6Ib00-UOhBBbjVcd8AnvDr-0D8J4y5j3SSDjKZfFIGlRFWrHFOUMcPByttmJOarGJ/s400/12-South+Central.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>South Central</i></td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9joBfme-LmQUUOY8J0CAdcN085W6ztKzCoH5AIyM1K5DEyYeFYvHtU5BfLbnxegwONhIn5JCDM3InjJRjuSomMIc0ufOjYU4Cb2CaMFuVXfrV9Ioc-eOpdCBhN-KCh-d-68UTrQfznBIF/s1600/16a-Greater+Atlanta.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9joBfme-LmQUUOY8J0CAdcN085W6ztKzCoH5AIyM1K5DEyYeFYvHtU5BfLbnxegwONhIn5JCDM3InjJRjuSomMIc0ufOjYU4Cb2CaMFuVXfrV9Ioc-eOpdCBhN-KCh-d-68UTrQfznBIF/s400/16a-Greater+Atlanta.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>Greater Atlanta</i></td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WYw4Z8-jKFOCyx_zbAg17iCyrAw-ZrZz8imOQQfpwSJTL3loOpRf6Mt8V0G9skVH_ixs_TrnmIGWTp8kNldMgQcdUQDQaj21gY5Yi59byQ0Kf6uSh-Obn7Xc4x8rhWNmPRIO6EWlN2y8/s1600/17Kids13-Kids+and+Teenagers+(1984-1990).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0WYw4Z8-jKFOCyx_zbAg17iCyrAw-ZrZz8imOQQfpwSJTL3loOpRf6Mt8V0G9skVH_ixs_TrnmIGWTp8kNldMgQcdUQDQaj21gY5Yi59byQ0Kf6uSh-Obn7Xc4x8rhWNmPRIO6EWlN2y8/s400/17Kids13-Kids+and+Teenagers+(1984-1990).jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>Kids and Teenagers</i> (1984-1990)</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOSxrMUhcngwzIRhNgdsk2WIwyIL3DpS2LbjiqNugAQCCP9fHmu6-oT-0_RpU-4kckEb5Am0r24AwC93UIq8qHTqX8zdGcZhamfFL8tEdtdjlgP2LJqQ93wx3ToX3c23Eppy5ta8kxvLXZ/s1600/sav69_44_6-Italy+(1993,+1998,+2010).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOSxrMUhcngwzIRhNgdsk2WIwyIL3DpS2LbjiqNugAQCCP9fHmu6-oT-0_RpU-4kckEb5Am0r24AwC93UIq8qHTqX8zdGcZhamfFL8tEdtdjlgP2LJqQ93wx3ToX3c23Eppy5ta8kxvLXZ/s400/sav69_44_6-Italy+(1993,+1998,+2010).jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>Italy</i> (1993, 1998, 2010)</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlCY5WfXzwbPckpMl2nHllk8wh74Z0IbQWByboqVeP4tnbOXP5CA2T1Tlt07kWRAkyKxc4X1eOlQ-TEiTPDyv4tDzz5JujIyKfyuOPEsFutnXponajWvmbCbxkUeFCZk2sW7Q_MBt9oFKy/s1600/website02-Italy+(1993,+1998,+2010).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlCY5WfXzwbPckpMl2nHllk8wh74Z0IbQWByboqVeP4tnbOXP5CA2T1Tlt07kWRAkyKxc4X1eOlQ-TEiTPDyv4tDzz5JujIyKfyuOPEsFutnXponajWvmbCbxkUeFCZk2sW7Q_MBt9oFKy/s400/website02-Italy+(1993,+1998,+2010).jpg" width="292" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>Italy</i> (1993, 1998, 2010)</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjK0AjWCY9ljaYkVkbvhj3yj_gr7ijnu216a1dBPOz1CxDRflcGjxtil2dfTlHFMtSfUslvLbkEihJKr70BHRjcKRfTy7FqNsq9P0bwC_saRfidy8UFNkqgVQzXZVVjeFUJxr7lw91bZLw/s1600/website10-Italy+(1993,+1998,+2010).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjK0AjWCY9ljaYkVkbvhj3yj_gr7ijnu216a1dBPOz1CxDRflcGjxtil2dfTlHFMtSfUslvLbkEihJKr70BHRjcKRfTy7FqNsq9P0bwC_saRfidy8UFNkqgVQzXZVVjeFUJxr7lw91bZLw/s400/website10-Italy+(1993,+1998,+2010).jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From <i>Italy</i> (1993, 1998, 2010)</td></tr>
</tbody></table>
<br />
<br />
<br />José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-50588071633557202512013-04-05T15:47:00.003-07:002013-04-05T15:47:48.155-07:00George Spencer Watson<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPS5q9konBG5BgjVuhKfSKveG4rjoJWwYhtqLg25_WA77MC-xg8LDT6eSF1BJx_zEuAP8a_kCs5kX8FZkV_T5wjPDdip6gXnMzUyM2M7YBxVcHmDsT6XiK-ZW8e7f9yIu5T1HmcoZs5eib/s1600/800px-George_Spencer_Watson_(1869-1934)_-_Four_Loves_I_found,_a_Woman,_a_Child,_a_Horse_and_a_Hound,_1922.jpg" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPS5q9konBG5BgjVuhKfSKveG4rjoJWwYhtqLg25_WA77MC-xg8LDT6eSF1BJx_zEuAP8a_kCs5kX8FZkV_T5wjPDdip6gXnMzUyM2M7YBxVcHmDsT6XiK-ZW8e7f9yIu5T1HmcoZs5eib/s320/800px-George_Spencer_Watson_(1869-1934)_-_Four_Loves_I_found,_a_Woman,_a_Child,_a_Horse_and_a_Hound,_1922.jpg" /></a><br />
<br />
<span style="font-size: x-small;">George Spencer Watson, <i>"Four Loves I found, a Woman, a Child, a Horse and a Hound"</i>, 1922.</span><br />
<span style="font-size: x-small;">Oil on canvas, 142.2 x 195.6 cm.
</span>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-49076643788351947802013-04-05T15:43:00.001-07:002013-08-07T11:10:00.652-07:00Julian Schnabel in his studio. Montauk.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_SNEV-Bv74kD0MiicyzIbqMmIk2r7Owg4bGFzm64k3QJt-JUg51jN_1xrpZYIqbaQFzXWUyDIcIFaTAcRd4VVGuWexBA_jFCgRqzL0WXh1f_iPCOZhnk2oO9-D8OKoRBF6Jj5OdSdopfd/s1600/Julian+Schnabel+in+his+studio.+Montauk.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_SNEV-Bv74kD0MiicyzIbqMmIk2r7Owg4bGFzm64k3QJt-JUg51jN_1xrpZYIqbaQFzXWUyDIcIFaTAcRd4VVGuWexBA_jFCgRqzL0WXh1f_iPCOZhnk2oO9-D8OKoRBF6Jj5OdSdopfd/s320/Julian+Schnabel+in+his+studio.+Montauk.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julian Schnabel in his studio, Montauk, 2001. Photograph by <a href="http://www.jonathanbecker.com/" target="_blank">Jonathan Becker</a>.</td></tr>
</tbody></table>
José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-31577654902578882382013-03-29T14:19:00.000-07:002013-03-29T14:19:06.424-07:00(PIANO), H. Maria Gris<i><blockquote>quando o coração é enorme<br>
só um piano e um cão<br>
o podem guardar.</blockquote></i>
<br>
H. Maria Gris, "Autobiografia (Tomo I)"José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-38428518543136656022013-03-29T08:10:00.001-07:002013-03-29T08:10:05.182-07:00Morris Graves<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjidIXayZFykNiPRlnBCowRp1MRdy-Tsckbj16pIr61dDGj8_OoV87C7XdWmctjv14Sw8ZHT7r2w2hmFh2z80-SUSxS3rPdSYx9vOQLH6mAjkoPKDlng9Mxcn4ebghetARPe8fztkQXZFdm/s1600/Morris+Graves,+Majestic+Dog,+1935.jpg" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjidIXayZFykNiPRlnBCowRp1MRdy-Tsckbj16pIr61dDGj8_OoV87C7XdWmctjv14Sw8ZHT7r2w2hmFh2z80-SUSxS3rPdSYx9vOQLH6mAjkoPKDlng9Mxcn4ebghetARPe8fztkQXZFdm/s320/Morris+Graves,+Majestic+Dog,+1935.jpg" /></a>
<br>
Morris Graves, "Majestic Dog", 1935<br>
<br>
<br>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEg6wJfWW3aDHCOChPmc-A32UaGNK0dDgGvJc1jkOtM6A6oXUhuGPD1w7M2vg3iO0wr145XXSYEqBhcUn7ZDxV8BoAI6TLcwtMmZ_pWAUMfUJcuM-ngg8f2cZCg5l1bZ5Sgu1NvTZJ2nyo/s1600/Morris+Graves,+Fox+With+A+Phoenix+Wing,+1952.png" imageanchor="1" ><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEg6wJfWW3aDHCOChPmc-A32UaGNK0dDgGvJc1jkOtM6A6oXUhuGPD1w7M2vg3iO0wr145XXSYEqBhcUn7ZDxV8BoAI6TLcwtMmZ_pWAUMfUJcuM-ngg8f2cZCg5l1bZ5Sgu1NvTZJ2nyo/s320/Morris+Graves,+Fox+With+A+Phoenix+Wing,+1952.png" /></a>
<br>
Morris Graves, "Fox With a Phoenix Wing", 1952<br>
José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-65054858420549111392012-05-16T17:03:00.001-07:002012-05-16T17:15:03.994-07:00Humanity's Best Friend: How Dogs May Have Helped Humans Beat the Neanderthals - The Atlantic<a href="http://www.theatlantic.com/technology/archive/2012/05/humanitys-best-friend-how-dogs-may-have-helped-humans-beat-the-neanderthals/257145/" style="clear: left;" target="_blank"><img height="214" src="http://cdn.theatlantic.com/static/mt/assets/science/mandog_615.jpg" style="border: none;" width="400" /></a><br />
<a href="http://www.shutterstock.com/cat.mhtml?lang=en&search_source=search_form&version=llv1&anyorall=all&safesearch=1&searchterm=man+and+dog&search_group=#id=7699786&src=2122fee16ea72b9681159fcf736475ab-1-24" style="background-color: white; color: #00598c; font-family: arial, sans-serif; font-size: 9px; line-height: 12px; text-align: left; text-decoration: none;">Shutterstock/Pedro Jorge Henriques Monteiro</a>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-52560569258394481592012-01-18T16:47:00.001-08:002012-01-18T16:47:55.938-08:00King Creosote & Jon Hopkins, "Bubble"<iframe width="560" height="315" src="http://www.youtube.com/embed/M-Lr0igwLIY" frameborder="0" allowfullscreen></iframe><br />
<br />
Directed By Elliot Dear.<br />
<br />
King Creosote & Jon Hopkins are to release Bubble as the new single from their debut collaborative album, Diamond Mine.José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-29606172657039272402011-01-13T17:13:00.000-08:002011-01-13T17:13:49.485-08:00ALEC SOTHEra assim que o <a href="http://alecsoth.com/">Alec Soth</a> se apresentava há pouco tempo na página principal do seu site:<br />
<br />
<a href="http://josejupiter.com/images-blog/2011/01/14/20110114-01.jpg"><img src="http://josejupiter.com/images-blog/2011/01/14/20110114-01.jpg" width="450" height="253"></a><br />
<br />
<a href="http://josejupiter.com/images-blog/2011/01/14/20110114-02.jpg"><img src="http://josejupiter.com/images-blog/2011/01/14/20110114-02.jpg" width="450" height="253"></a>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-28577020828348108582010-12-27T15:26:00.000-08:002010-12-27T15:29:34.350-08:00MICHELANGELO ANTONIONI<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/VaUIVXd5Smk?fs=1&hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/VaUIVXd5Smk?fs=1&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br />
<br />
From "L'eclisse" (1962).José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-20838893118723997112010-10-30T08:17:00.000-07:002010-10-30T08:18:39.246-07:00WILL ROBSON SCOTT<b>In Dogs We Trust</b><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-04.jpeg"><br />
<br />
"Since dogs were first domesticated, many years ago, an affinity has developed between them and their owners; so not only do they frequently resemble each other, they even share personality traits and mirror each other’s behaviour. Dogs can be deliberately used for this purpose, of course: they can be chosen to convey whatever image the owner finds desirable; but often this affinity is less conscious, and - as you may believe when you look at these images - <b>the master is unaware how much he looks like his dog</b>."<br />
<br />
<a href="http://www.willrobsonscott.co.uk/">Will Robson-Scott</a> in association with Ollie Grove.<br />
<br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-05.jpeg"><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-08.jpeg"><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-11.jpeg"><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-12.jpeg"><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-13.jpeg"><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-17.jpeg"><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/WillRobsonScott-21.jpeg">José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com1tag:blogger.com,1999:blog-8133612577760915929.post-14387458966572447262010-10-30T07:50:00.000-07:002010-10-30T07:54:34.916-07:00PEDRO LETRIA<img src="http://josejupiter.com/images-blog/2010/10/30/pedroletria.jpg"><br />
<br />
<blockquote>(...) Daí o efeito paradoxal das três imagens de abertura. Dão-nos a ver outros tantos cães, envelhecidos, galgos ex-corredores, que vivem num "reformatório", em Hersham (Inglaterra). Condenados a uma existência sem donos, são seres cuja verdade se confunde com a pura espera da morte. Que a fotografia eternize a sua espera, eis o que resume a utopia mais louca que aqui se encena: face à morte, somos todos aristocratas.</blockquote><br />
<i>"Fotografar a morte e celebrar a vida"</i>, <a href="http://sound--vision.blogspot.com/2007/08/as-fotos-de-pedro-letria.html">João Lopes</a> para o Diário de Notícias (14 de Agosto).José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-83846101207862875242010-10-30T07:38:00.000-07:002010-10-30T07:54:22.334-07:00MICHEL SCHWEIZER<b>"O que é um cão? Se Deus está morto, quem é o mestre do homem? O Mercado?"</b><br />
<br />
<img src="http://josejupiter.com/images-blog/2010/10/30/MichelSchweizer-02.jpeg"><br />
<br />
<br />
<b>BLEIB OPUS #3<br />
MICHEL SCHWEIZER (BORDÉUS)</b><br />
<a href="http://www.teatromariamatos.pt/catalogo/detalhes_produto.php?id=159">Teatro Maria Matos</a><br />
<br />
O que é que cinco magníficos cães pastor belga, um filósofo, um psicanalista, um bailarino e um actor poderão estar a fazer juntos num palco de teatro? Desde Maio de 2005 que Michel Schweizer mantém uma conversa fértil com Dany Robert Dufour, filósofo, e Jean-Pierre Lebrun, psiquiatra e psicanalista, sobre alguns dos temas cruciais da sociedade contemporânea: a liberdade individual e a imposição do consumismo, o ensino e a uniformização, a política e a manipulação.<br />
<br />
É impressionante como o espectáculo BLEIB, criado em 2007, profetiza a falência do capitalismo desenfreado que gerou como causa da actual crise mundial. Interroga os comportamentos sociais e as atitudes do novo "homem sem gravidade", que é induzido a acreditar que a soma das ambições individuais iguala o bem comum. Já não precisamos de pensar!, exclama Jean-Pierre Lebrun no espectáculo, já não precisamos de nos organizar colectivamente, já não precisamos de nos esforçar para viver em sociedade... Tornámo-nos numa sociedade de consumidores - individualistas e obcecados pelo poder de compra, mas sem nos dar conta de que estamos a ser dirigidos e manipulados. Na sala reinava um silêncio absoluto, escreveu o De Volkskrant depois das apresentações em Roterdão, as centenas de espectadores pareciam estar a sentir a mesma inquietação. <b>Como se sentíssemos todos a trela apertar... Mas por dentro esconde-se sempre o lobo...</b><br />
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<b>Charles Melman</b>, <i>L'Homme sans gravité: Jouir à tout prix (Entretiens avec Jean-Pierre Lebrun)</i>, Denoël (2002):<br />
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<blockquote>Barbarity is a social order based not longer on symbolical, but on real power. From the moment that the established power is sustained – and refers to – its own force and no longer seeks to defend or protect anything else beyond its own existance as power, its statute of power, we have arrived at a state of barbarity. Do you know one of the important manifestations of power of our times that is not a manifestation of barbarity?</blockquote><br />
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<img src="http://josejupiter.com/images-blog/2010/10/30/MichelSchweizer-01.jpeg"><br />
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<b>Links:</b><br />
<a href="http://www.la-coma.com/">http://www.la-coma.com/</a><br />
<a href="http://www.alkantarafestival.pt/eng/esp23.html">http://www.alkantarafestival.pt/eng/esp23.html</a>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-62612327299803268712010-10-30T07:13:00.000-07:002013-04-18T10:12:20.863-07:00ROBERT ADAMSFrom <b>Robert Adams</b>' <i>Why People Photograph - Selected Essays and Reviews</i>, Aperture (1994), Section <i>What Can Help</i>, <i>Dogs</i> essay: <br />
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<blockquote>WHERE does art begin? Photographs of Thomas Eakins and Pierre Bonnard with their dogs suggest, I think, an answer. For these artists in their old age to touch animals so gently is evidence of a love past memory, one that must have shaped treir lives.<br />
<i>(...)</i><br />
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Artists live by curiosity and enthusiasm, qualities readily evident as inspiration in dogs. Propose to a dog a walk and its response is absolutely yes.<br />
<i>(...)</i><br />
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Art depends on there being affection in its creator's life, and an artist must find ways, like everyone else, to nourish it. <b>A photographer down on his or her knees picturing a dog has found pleasure enough to make many things possible.</b><br />
<i>(...)</i><br />
</blockquote>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-90555906555284519652010-10-30T06:41:00.000-07:002010-10-30T07:53:39.345-07:00GOLDFRAPP<img src="http://josejupiter.com/images-blog/2010/10/30/goldfrapp-01.jpg" /><br />
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<b>Number 1</b><br />
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<i>Cos you're my number one<br />
I'm like a dog to get you<br />
I want it up and on<br />
I'm like a dog to get you<br />
Yeh, yeh, yeh, yeh</i><br />
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<a href="http://www.youtube.com/watch?v=W2OL3CdIGlg">http://www.youtube.com/watch?v=W2OL3CdIGlg</a><br />
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<b>Strict Machine</b><br />
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<object width="480" height="360"><param name="movie" value="http://www.dailymotion.com/swf/video/xa0w6_goldfrapp-strict-machine_music?additionalInfos=0"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed type="application/x-shockwave-flash" src="http://www.dailymotion.com/swf/video/xa0w6_goldfrapp-strict-machine_music?additionalInfos=0" width="480" height="360" allowfullscreen="true" allowscriptaccess="always"></embed></object><br />
<b><a href="http://www.dailymotion.com/video/xa0w6_goldfrapp-strict-machine_music">Goldfrapp - Strict Machine</a></b><br />
<i>Carregado por <a href="http://www.dailymotion.com/Rian2k">Rian2k</a>. - <a href="http://www.dailymotion.com/pt/channel/music/featured/1">Veja mais vídeos de musica, em HD!</a></i><br />
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<b>Human</b><br />
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<i>Are you human, or a dog<br />
Are you human<br />
Or d'you make it up<br />
Are you human, or a dog<br />
Are you human<br />
Or d'you make it up</i><br />
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<a href="http://www.youtube.com/watch?v=--1rAUYWl_4">http://www.youtube.com/watch?v=--1rAUYWl_4</a><br />
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<b>Utopia</b><br />
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<i>My dog needs new ears<br />
Make his eyes see forever<br />
Make him live like me<br />
Again and again</i><br />
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<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/DogoqA_Vm8o?fs=1&hl=en_US&rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/DogoqA_Vm8o?fs=1&hl=en_US&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com1tag:blogger.com,1999:blog-8133612577760915929.post-55587480404090686962010-10-28T13:44:00.000-07:002010-10-30T06:27:47.249-07:00JOHN DIVOLATyler Stallings, director of the Sweeney Art Gallery, said, <i>"This body of work by John Divola shows a fascination with the landscape as both a representation of nature's wildness and man's taming of it. Here, the dog that chases his car embodies this notion. But because the dog will never catch the car and the camera only ever presents a partial view of reality, the impossibility of the two worlds ever meeting is captured".</i><br />
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<b><a href="http://www.divola.com/">John Divola</a></b>, <i>Dogs Chasing My Car in the Desert, 1996-2000</i>. Published February 12th 2005 by Nazraeli Press.<br />
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<blockquote>PREFACE from DOGS CHASING MY CAR IN THE DESERT<br />
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The desert is not empty. However, it is vacant enough to bestow a certain weight to whatever is present. This is an extraordinary place, the unobstructed view to the horizon, the quality of the light, and that smell after it rains. Add this to a heightened awareness of your own presence and the desert can take on an existential quality.<br />
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And it’s quiet. Once, having climbed to the top of a very large hill to photograph, I was startled by the sound of the wind moving under the wings of a bird as it flew by. Hundreds of feet below and half a mile away a dog spotted me and started barking like it had just caught me climbing the back fence. No one sneaks up on a dog in the desert. A dog can hear your car coming for several miles and will see you coming almost as far away. By the time you arrive he has developed a level of anticipation.<br />
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From 1995 to 1998 I was working on a series of photographs of isolated houses in the desert at the east end of the Morongo Valley in Southern California. As I meandered through the desert, a dog would occasionally chase my car. Sometime in 1996 I began to bring along a 35mm camera equipped with a motor drive and loaded with a fast and grainy black-and-white film. The process was simple; when I saw a dog coming toward the car I would pre-focus the camera and set the exposure. With one hand on the steering wheel, I would hold the camera out the window and expose anywhere from a few frames to a complete roll of film. I’ll admit that I was not above turning around and taking a second pass in front of a house with an enthusiastic dog.<br />
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Contemplating a dog chasing a car invites any number of metaphors and juxtapositions: culture and nature, the domestic and the wild, love and hate, joy and fear, the heroic and the idiotic. It could be viewed as a visceral and kinetic dance. Here we have two vectors and velocities, that of a dog and that of a car and, seeing that a camera will never capture reality and that a dog will never catch a car, evidence of devotion to a hopeless enterprise.<br />
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John Divola, 2004</blockquote>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-64170170564982129862010-10-27T16:25:00.000-07:002010-10-30T06:28:28.495-07:00ALEC SOTH<span style="font-weight:bold;">Dog as metaphor:</span> Alec Soth uses dogs as a metaphor for loneliness and abandonment.<br />
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<img src="http://josejupiter.com/images-blog/2010/10/26/2003_02zm0014-11.jpeg" /><br />
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In conversation with Carrie Thompson, he talks about the dogs in the book <a href="http://alecsoth.com/photography/projects/dog-days-bogota/"><span style="font-style:italic;">Dog Days, Bogotá</span></a>:<br />
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<blockquote><span style="font-weight:bold;">Carrie Thompson:</span> Tell me about the dogs, how did they become so important?<br />
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<span style="font-weight:bold;">Alec Soth:</span> I was aware of the street kids in Bogotá. I mean, it is a hard thing to ignore, but I was especially attuned to it because of the adoption experience. But I was uncomfortable photographing these kids. So I photographed street-dogs instead. I guess they were a stand-in for the kids.</blockquote><br />
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More, <a href="http://blog.magnumphotos.com/2007/11/interview_alec_soth_on_dog_days_bogota.html">here</a>.<br />
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Some more images taken from the project/book <a href="http://alecsoth.com/photography/projects/dog-days-bogota/"><span style="font-style:italic;">Dog Days, Bogotá</span></a>:<br />
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<img src="http://josejupiter.com/images-blog/2010/10/26/2003_02zm0016-12.jpeg" alt="" /><br />
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<img src="http://josejupiter.com/images-blog/2010/10/26/2003_02zm0024-01.jpeg" alt="" /><br />
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<img src="http://josejupiter.com/images-blog/2010/10/26/2003_02zm0076-04.jpeg" alt="" /><br />
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Alec Soth tells us why a picture of two dogs taken by his daughter is one of his favourite shots from his Brighton Picture Hunt show at Brighton Museum and Art Gallery:<br />
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<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/2f3wPaglFSY?fs=1&hl=en_US&rel=0"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/2f3wPaglFSY?fs=1&hl=en_US&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0tag:blogger.com,1999:blog-8133612577760915929.post-13256250197373574412010-10-27T16:16:00.000-07:002010-10-30T06:28:49.880-07:00DAIDO MORIYAMAPara um início de investigação do meu 1º projecto na pós-graduação, <span style="font-weight:bold;">Daido Moriyama</span>, <span style="font-style:italic;">Stray Dog, Misawa, Aomori</span>, tirada no ano em que nasci, 1971.<br />
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<blockquote>“When I go out into the city I have no plan, I walk down one street, and when I am drawn to turn the corner into another, I do. Really I am like a dog: I decide where to go by the smell of things, and when I am tired, I stop.”<br />
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<img src="http://josejupiter.com/images-blog/2010/10/25/DaidoMoriyama.jpeg"><br />
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Mais, <a href="http://www.americansuburbx.com/2008/01/theory-daido-moriyama-investigations-of.html">aqui</a>.José Júpiterhttp://www.blogger.com/profile/14173191115397952803noreply@blogger.com0